Clarence Ongpauco
student
National University - Manila
Philippines
Architecture
Where architecture meets art—the beauty of contrast collides The proposed Philippine school of architecture and arts focuses on multisensory architecture and… more
Chaitanya Korra
advisor
University of New Mexico
United States of America
I am a multidisciplinary sustainability strategist, specializing in innovative infrastructure… more
This project is an ambitious and visionary response to a real national challenge—the lack of dedicated, thoughtfully designed educational environments for architecture and arts students in the Philippines. Clarence Ongpauco successfully integrates pedagogy, cultural identity, and sensory experience into an architectural framework that seeks to elevate creative education in a Philippine context.
Conceptual Rigor: Grounding the design in Graham Wallas’ five stages of the creative process is intellectually rich and contextually appropriate. This theoretical foundation supports a strong narrative that weaves throughout the spatial organization of the campus.
Multi-Sensory Architecture: The deliberate focus on experiential learning through tactile, visual, auditory, and spatial experiences reflects a sophisticated understanding of how environment shapes cognition and creativity. This aligns well with international trends in neuroarchitecture and user-centered design.
Cultural Relevance: The critique of the outdated 1977 National Building Code and its implications for learning spaces is a bold and commendable move. This project doesn't just design for the present—it questions the framework for the future of education in the country.
Design Quality & Spatial Vision: The conceptual diagrams and renderings suggest dynamic, well-zoned learning environments tailored for studio-based and collaborative learning. There is clear intentionality behind how students will move through, inhabit, and engage with the space.
Narrative of Contrast: The theme “where architecture meets art—the beauty of contrast collides” is effectively translated into a spatial language that celebrates the tension between structure and spontaneity, formal and informal learning, and tradition versus innovation.
The proposal could benefit from a deeper articulation of sustainable strategies—local materials, passive cooling, rainwater harvesting, or integration with the tropical climate. These would further ground the project in environmental responsibility.