Julia Moskvina
student
Nizhny Novgorod State University of Architecture and Civil Engineering (NNGASU)
Russian Federation
Architecture
The Museum of Architecture was designed in the historical quarter of Nizhny Novgorod. The main idea is to fit a modern building into the historical one, and… more
Saeed Amini
advisor
Tehran University of Art
United Arab Emirates
I am an architect, researcher, and architectural critic who views architecture not merely as a… more
The project presents a thoughtful and well-argued proposal that demonstrates a clear intention to integrate a contemporary museum into the historical fabric of Nizhny Novgorod with sensitivity and restraint. The architectural language is calm and respectful, successfully mediating between modern expression and the scale, rhythm, and materiality of the surrounding historic context. The use of folded hanging panels as a facade element is conceptually strong, linking the museum’s function preservation and interpretation of architectural heritage with a subtle, abstract architectural gesture. The site planning is convincing, with clear access, functional zoning, and attention to public use, including recreational areas and connections to public transport. The project is technically coherent, with a clear structural system and material strategy that supports the architectural intent. However, the proposal would benefit from a stronger articulation of spatial experience within the museum, particularly through sections that clarify vertical relationships, daylight penetration, and the atmosphere of exhibition spaces. While the facade treatment is elegant, the overall architectural identity remains somewhat restrained and could be strengthened through a more pronounced entrance sequence or a clearer public focal point. Overall, this is a solid and contextually intelligent project with strong competition quality, which could be further enhanced by deepening the experiential and narrative aspects of the interior and public interface.
Clarify the interior spatial narrative by strengthening sectional drawings that show how exhibition spaces, circulation, and vertical connections work together, particularly in relation to daylight and ceiling heights. The entrance sequence could be made more legible and expressive to better announce the museum’s public role within the historic urban fabric. While the folded hanging panels are conceptually strong, their functional performance such as shading, daylight control, or views should be explained more clearly to reinforce their architectural necessity beyond symbolism. The relationship between interior exhibition spaces and exterior public areas could be deepened, allowing the museum to extend its educational role into the surrounding landscape. Finally, a clearer articulation of how the new building engages specific historical references of Nizhny Novgorod through scale, rhythm, or urban alignment would further strengthen the project’s contextual integration and conceptual depth.
20.12.2025