Galina Shashel
student
NRU MSCU National Research Moscow State University of Civil Engineering
Russian Federation
Architecture
Key concept ideas: use textiles; reference the Steven Spielberg film and the testimonies of 1200 survivors; use new approaches and visuals; respect the… more
Franc Obguia
advisor
Cebu Institute of Technology – University (CIT-U), College of Engineering and Architecture, Cebu City
Philippines
Architecture and Sustainability more
Both schemes are conceptually rich, but Option 2 truly stands out for its spatial and social impact. The inclusion of a small square with vegetation and trees not only enhances the atmosphere but creates a living, breathing space—a place where reflection coexists with life. The larger open area for community performances and interaction adds another layer of meaning by transforming a memorial courtyard into an active cultural space that encourages dialogue, remembrance, and connection.
The approach to preserving the historical character while embedding subtle, reversible modern interventions is commendable. The use of portraits, quotes, and textiles rooted in both personal and cinematic memory is sensitive and emotionally resonant. The idea of a projected display on removable canvas is an excellent solution to merging media with conservation.
To enhance the visual storytelling, I’d suggest developing more rendered perspectives that show how people would inhabit and move through these spaces—especially around the seating areas, trees, and performance zone. Also, showing the lighting scheme could add another emotional layer, especially for evening events or commemorations.
This is a beautiful balance of commemoration and community, rooted in historical sensitivity and design clarity.
Thank you, Galina Shashel, for sharing this deeply thoughtful and layered proposal. The landscape and heritage integration in your project presents a powerful architectural response to memory, community, and history.