Shrouk Berbesh
student
Faculty of Fine Arts, Alexandria University in Alexandria
Egypt
Urban Design and Landscape
he goal was to design an interior landscape space within an administrative atrium that seamlessly merges aesthetics, function, and natural inspiration. The… more
Stefan Stanković
advisor
GAF - University of Niš - Faculty of Civil Engineering and Architecture
Serbian
To create sustainable space for a future generation more
This project shows a calm, mature sense of spatial rhythm. There’s no unnecessary complexity — just a clean, almost meditative approach to shaping space. It doesn’t scream; it whispers with clarity. And that’s powerful.
Lighting as Spatial Structure
The tree-like lighting feature isn’t just decorative — it becomes a central spatial anchor, almost like a new typology of a column or indoor totem. It sets hierarchy in the space in a very subtle, confident way.
Softscape / Hardscape Balance
The contrast between greenery and clean pathways is well-controlled. Neither dominates. The space breathes naturally, and that kind of composure in composition is rare in student work.
Human Scale & Ambience
This design respects the user. The renders show clear zones for seating, walking, pausing — all in a warm, welcoming palette. The lighting levels, the textures, the planting: everything supports comfort and calm.
This project is visually resolved and emotionally consistent. It feels like a space people would actually enjoy — not just look at. With a bit more spatial boldness and edge, it could go from being nice to being memorable.
Spatial Tension / Contrast
Right now, everything is too pleasant. And while that sounds good, spaces often need a bit of tension or contrast — something that pulls you in, breaks the harmony, adds drama. That could be a sharper material, a more sculptural element, or even a bolder void.
Ceiling Plane Treatment
The floor is well-designed. The mid-zone (seating, greenery) is engaging. But the ceiling is flat and unaddressed — especially since the vertical elements are strong. Consider how to terminate the verticality with intention, whether through lighting, texture, or structure.
Section Expression
The section feels more like an illustration than an architectural cut. It could communicate volume, light, and material hierarchy better. At the moment, it undersells the quality present in the renders.