Project Title: "Abandoned to Avant-Garde: Mohini Mill Revitalized"
Project Type: Adaptive Reuse, Urban Regeneration
Site Area: 19.79 Acres
Location: Mill Para, Kushtia, Khulna, Bangladesh
Existing Structure: Abandoned textile mill with brick masonry structures, steel trusses, and industrial-era architectural features
Areas of Research:
Adaptive reuse of abandoned textile mills is an exciting topic to work that involves repurposing historic industrial buildings for new uses. This field intersects with architecture, urban planning, environmental sustainability and social development. To enhance preservation practice of industrial heritage buildings, this thesis attempts to investigate and to present applicable patterns of reuse of old factory buildings. With the intention to return the former architectural glory and to activate new function, it has been necessary to implement set of urban architectural intervention in accordance with the current legislation in the field of protection of cultural heritage, includes:
Historical Preservation:
Documenting and preserving the historical and architectural significance of weaving mills.
Adaptive Design Strategies:
Exploring innovative design approaches to transform industrial spaces into functional areas such as residential lofts, commercial spaces, cultural centres, or educational facilities.
Material Reuse:
Using reclaimed materials from the original structure to reduce waste and preserve historical character.
Community Development:
Assessing the social impact of repurposing abandoned mills on local communities, including job creation, housing opportunities, and cultural enrichment.
"In the transformation of Mohini Mill, adaptive reuse isn’t just a technique—it’s a tribute"
The project consciously retains and reinterprets existing materials like brick walls, rusted steel beams, and reclaimed timber from the original mill structure.
Instead of demolishing the old, I’ve let the materials speak—restoring textures, preserving scars, and embedding memory within the new architecture.
These elements are integrated into modern forms—exposed brick feature walls, steel-frame partitions, and upcycled wood for furniture and interior finishes.
By doing so, the design balances sustainability and storytelling, breathing new life into the old skeleton without erasing its soul.
While preserving much of the existing structure was central to the design, some parts of the mill were beyond repair. These portions had to be dismantled with care. But in a project rooted in memory and sustainability, even demolition was treated not as destruction, but as transformation. The materials left behind weren’t waste—they were raw potential.
Giving New Purpose to the Discarded
In the revitalization of Mohini Mill, selective demolition was necessary to open spaces and ensure structural safety. But instead of discarding the materials, I saw them as opportunities.
Bricks recovered from broken walls were cleaned and reused for landscape edging and low retaining walls.
Old iron window grills were repurposed as decorative screens and railing details.
Timber from collapsed roofs found new life as seating, display units, and pergola structures in outdoor courtyards.
Even broken concrete pieces were used creatively in hardscaping and filler materials.
This approach not only reduces construction waste but also ensures that every fragment of the old mill continues to be part of its new story.