In Detail
Castle Building
To meet the required spatial program of the competition without interfering with the valuable building fabric through major interventions, the design follows the approach of “adding to it.” Only a few structurally and spatially insignificant walls are removed from the building volume, opening up the rooms while adapting them to their new use.cWooden boxes are then placed in the cleared spaces within the existing building. Thanks to their simple design and modularity, the boxes allow for a variety of room uses through different floor plans and layouts. They provide sleeping spaces for 120 people on the upper two floors in various configurations. Two barrier-free apartments are located on the ground floor. Since the boxes are insulated and raised off the floor, they function as self-sufficient units within the castle shell.
As the interior space of the castle is limited by the historic fabric, which is to be preserved, a large wooden structure is placed in the inner courtyard to house the required lecture hall for an audience of 100 people, along with two smaller halls with capacities of up to 50 people. The courtyard is transformed into a social space for all visitors without compromising any of the historic building fabric. The remaining interior space is used to accommodate other functions, such as a restaurant and an exhibition area, without the use of the “add-in boxes.” These areas make deliberate use of the patina found on the damaged interior surfaces of the building. The decision not to conceal all of these “wounds,” but rather to preserve them, highlights the significance of these surfaces as the skin of the building. Key rooms such as the historic entrance hall remain untouched. The spatial effect of these rooms should not be disrupted by unnecessary intrusions.
Farmhouse
On the farmhouse premises, the only major architectural intervention of the design takes place. The complex is intended to house new exhibition areas that showcase the history of the property and the village. After assessing the condition of the building, a decision has been made to demolish the western part of the house. Its poor state and overall quality, combined with further plans for the eastern section of the farmhouse, justify this step. Since the old stables are part of the complex, the aim is to integrate them into the exhibition following the removal of the dilapidated structure. To that end, the ground floor walls are being made visible through various plantings, creating a garden. This garden also frames the inner courtyard of the old farmhouse, turning the entire outdoor area into an extension of the exhibition.
The eastern part of the farmhouse is set to be preserved in the same way as the castle building. Only a few interior walls will be removed to make the space more accessible and suitable for housing a rotating exhibition, a municipal information center with a bookshop, and a café on the ground floor. The café is located in the southern wing of the farmhouse, again within a wooden structure, creating a unique atmosphere. All interior areas have access to the courtyard, which serves as the heart of the community and an outdoor exhibition space.
The upper floor features a large lecture hall, several group and meeting rooms, and additional space for the permanent exhibition. The existing staircases will be used to connect the different zones, allowing visitors to move freely through the upper rooms.
Orangery
The orangery is transformed from an uninviting, empty ruin into a multi-purpose event venue. To enable this transformation, the existing steel structure spanning the main hall is utilized to support a glass façade with retractable sun shading. The original gallery overlooking the main space is restored to accommodate additional visitors during events, offering a unique view over the main room and outward toward the park. A new staircase is installed in the vestibule to provide access to the gallery. Behind the main event hall, visitor restrooms and storage areas are integrated into the rear extension of the building, making full use of the existing structure. From the outside, only preservation work is carried out to maintain the building’s unique character, including the original chimneys and windows.
Conclusion
The draft has a different approach to the different building types on the property. It is supposed to be a bridge between conservation and revitalization with the goal to unlock architectural potential through preserving its history. It is a strategy to minimize the interventions needed to achieve that goal while offering a lot of quality to the visitors.